Surviving Creatively

Pincushion A New Art Form

In the nineteenth century, the Iroquois searched for alternative sources of income. A diminishing land base and the depletion of game and fur-bearing animals left people with very few opportunities for earning a living. Iroquois women recreated their traditional arts such as basketry, embroidery, quillwork, and beadwork for sale to non-Native people. They sold their products at resorts and tourist attractions.

Niagara Falls was the first and foremost American tourist attraction of the nineteenth century. European and American tourists of all ages, particularly honeymooners, flocked to see the spectacle of the Falls. After the War of 1812, Tuscarora women were granted the exclusive rights to sell their beadwork at Niagara Falls by the American family who owned the land. The Porter family made this offer in gratitude for the Tuscarora's service during the war and for saving the life of a family member.

For well over a century, tourists purchased souvenirs from Iroquois women to take home as gifts and reminders of their personal experiences. They bought whimsical beaded items such as pincushions in the shape of a boot, wall pockets and match safes, model birchbark canoes, and basketry novelties. Customers could request an individual name or inscription which the beadworker added on the spot.

The Victorian tastes of the tourists determined what types of items the artists made and how they made them. Many of the novelties were destined for cozy corners which were popular in Victorian homes. Once considered Indian-made curiosities, Moccasinthese works are now considered an expression of Native identity and a source of pride.